Theatre educator, playwright, and director in the Greater Boston area.
Brit Christopher is a playwright and theatre educator. A writer of drama, comedy and theatre for young audiences, she is most interested in creating theatre that is relevant, honest and human. With a BFA in Acting and a MA in Theatre Education, Brit is also a full-time theatre educator and director for children, as well as an occasional actor in the Greater Boston area.
In our latest blog post, we explore why arts integration is so important and how theatre can be used as a fantastic tool to bolster student understanding.
The decision to leave the drama classroom and change career is a big step but it's becoming increasingly common. Blogger Brit Christopher explains her reasons for making the move.
Have you noticed a slight sense of student apathy or detachment now rehearsals and shows have returned in person? How do we navigate a post-pandemic slump?
Idolizing your theatrical heroes is no new thing, but why do we do it and is it healthy for us to put someone on a pedestal? Let's take a look!
You got cast in the ensemble. Did your heart sink a little? Well, here's a reminder why it shouldn't! The skills you build in the ensemble are numerous!
You landed your dream role and are doing what you love most. So why are you suddenly doubting yourself? Let's talk imposter syndrome and how to tackle it!
What's it really like to be a theatre kid? What are the typical stereotypes tied to the label of 'theatre kid'? We decided to go straight to the source! Six high school drama students tell us their experiences of life as a theatre kid.
As actors, are we trained to say YES? And how do we deal with the notion that we are expected to consent if we want to be seen as castable? Our latest blog post explores the concept of consent in the theatre.
Looking for new ways to engage your students in your playwriting class? Brit Christopher explores a series of prompts that she often uses with her students, along with some example scenes. Happy writing!
First time directing middle schoolers? These "hilarious little sponges" may keep you on your toes, but Brit Christopher has some great tips on working with the best kind of students you'll find!
What's your first thought when you think of a middle school drama teacher? Here, Brit Christopher tells us why being a drama teacher isn't simply all fun & games.
We all know that planning is key. So what are the main things to consider when planning your theatre program for the upcoming school year? Let's take a look!
In our latest blog post, we take a look at the issues around typecasting and question how we can move forwards as an industry and a community. Let's go!
As theatre educators, how do we build a safe space for rigor that is both healthy and productive in our programs? Let's discuss!
As Women's History Month continues, today we're looking at casting expectations and the pressure to conform to society's and media's standards of beauty.
It's a well known fact that a lot of actors simply don't make the big time. But how do you reconcile yourself to this uncomfortable fact? Here, we take a look at why it's not the end of the world if your day job isn't your dream job!
Creating a new theatre program can be daunting, where do you start? In our latest blog post, we look at the basics you need to consider as you start to plan.
In today's blog post, we explore ideas for some fun and motivational ways to create community in your theatre program during a pandemic.
We all know that having a reputation for a bad attitude is not a good career move, but how to make sure you don't become an accidental diva? Communicate, check yourself, breathe, and read on!
So, you have a ton of ideas but how do you get them down on the page? Writing a play must be easy right? Umm....errrr.... Brit Christopher offers some tips on getting the writing process going.
An actor's life is tough and watching someone else get the part you know you were perfect for is even harder. So, how do we best deal with our insecurities?
Many of us were in the middle of rehearsing/performing great shows when COVID-19 struck. How do we mourn the shows we may never get the chance to return to?
One of the hardest things as a playwright is to receive critical feedback of your play. Brit Christopher explains why it's necessary to let your guard down.
Remote-teaching middle school drama is not an easy task. In this blog post, we offer some useful ideas on how to encourage creativity learning at home.